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Posts Tagged ‘music’

Review: The Proclaimers – Life With You

March 13th, 2008

I first discovered The Proclaimers when they released a 1990 single entitled “I’m Gonna Be (500 Miles)” to some critical acclaim and Top 40 success (it was the #3 single in 1993).  Since then, I’ve tried to keep up with them and check out their albums as they’re released.  While surfing Spiralfrog.com’s library, I ran into the 2007 album “Life With You” and decided to give it a listen.

If you’re not familiar with The Proclaimers, they’re a Scottish rock band composed of two identical twin brothers, Charlie and Craig Reid.  Unlike some bands, their Scottish accents come through loud and clear in their music, as do their political views.  They support Scottish independence from Britain and are politically active in that regard.

One of the things I really like about The Proclaimers is their ability to turn a phrase.  Where some bands would take the cliched route in a love song and describe a woman in a red dress by comparing her to a rose or some other red object, The Proclaimers describe a pale woman in a red dress as looking like “blood lying on snow” (in the track of the same name).  While I celebrate this as an interesting turn of phrase, I have to wonder how a woman would react to being described as looking like blood on snow.  But this isn’t the only unusual choice of words in the song.  Later, they say “It’s taken generations of lucky breeding to make you” to the woman they’re interested in. I’m not sure how many women would be swept off their feet by such phrases, but they are fun to listen to.

I found “Harness Pain” to be a very strong track.  The listener is told they must harness pain if they want to hold “the flame” and “tell the truth about love”.  They’re told that “when you try to succeed you mostly fail” but you harness the pain and become stronger.

“The Long Haul”, “S-O-R-R-Y”, and perhaps certain other tracks seem to take on the Iraq war and its supporters, saying “I miss the days when the threat to our position didn’t come from some religion but from godless communism.”  We’re told “we’re not barbarians like we were way back when, we’ve learned from history, so we get to go around again” and “tell your sons not to bother with football, get a backpack on and crawl, we’re in this for the long haul”.

In terms of music and performance, this is as good an album as any other from The Proclaimers.  However, in terms of its content, it’s a far more politically charged piece than earlier albums like Sunshine on Leith.  

If you like The Proclaimers’ unique sound and can stomach their political views (whether you agree with those views or not), you’ll find this an enjoyable album and fair amount different from mainstream pop music.

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They Might Be Geniuses (Giants)

February 7th, 2006

I’ve been listening to They Might Be Giants for quite a few years now (decades, probably).  If you’ve never heard it, their music is fun, catchy, and kind of quirky.  Above all else, it’s good. Lately I started really taking a good long look at listen at They Might Be Giants, and I’ve reached the conclusion that these guys might well be business geniuses in addition to musical ones.  Allow me to explain.

Many artists who were popular decades ago try to reinvent themselves or incorporate the latest musical fad into their musical arsenal, often unsuccessfully.  This usually winds up making them sound like has-beens trying to recapture their past glory by imitating currently-popular artists.  It alienates their core fan base, and fails to bring in new fans in many cases.  This is not the case with They Might Be Giants.  Their music stays true to itself, and has for about 20 years now.  

But where other artists often fail is bringing in new listeners.  They Might Be Giants is, in effect, growing theirs.  Their music has been made famous by Animaniacs cartoons, which resonate with a younger crowd than their earlier listeners.  They’ve also released children’s albums, which help them introduce their music to a young fan base that will grow up to develop an interest in their grown-up fare.  I’m sure other artists must have done this before, but I can’t think of one.

They Might Be Giants also recognizes the value of the Internet in reaching their audience.  Their web site offers free MP3s, Macromedia Flash music videos, concert/tour information, merchandise, and more.  One of their recent releases for kids also sells on Amazon.com with “exclusive Amazon-only content”.  It’s a very net-savvy approach.

But the web site isn’t their only Internet venture.  They also offer “TMBG Clock Radio” which is a small Macromedia Flash application that provides non-stop streaming TMBG music, announcements, and more.  Their radio station plays live concert clips in addition to tracks off their albums.  Again, it’s a great way to reach true fans and to introduce their music to others.

Most bands today make a good chunk of their money from live appearances.  That means packing the place with fans and building good relationships with the concert venues so that they’re welcome back.  TMBG recognizes this, and recently created a unique song about every venue they played on their international tour.  I’d be willing to bet those venues use the songs in their advertising and on their intercom systems.  That means free advertising for TMBG.  This is another smart move, and one I don’t see a lot of artists making.  Their emails to fans probably help pack the venues with people, too.

It’s really impressive to see a band with such marketing savvy.  They keep in touch with their fans, provide a web site with lots of interesting content, a podcast, streaming radio station, fare for children and adults, butter up the venues they play in, and offer their own merchandise over the Internet as well as through mass-market retailers like Amazon.  Genius!

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Review: Colin Meloy Sings Morrissey

December 13th, 2005

Morrissey fans haven’t, in my experience, been very easy find.  Aside from the few people I’ve introduced to Morrissey’s music, I’ve perhaps only met a couple.  Because “The Mozzer’s” fans are so few and far-between, it’s fun to encounter another one.  I’d never heard of Colin Meloy or The Decemberists prior to seeing this album, but he’ll get some of my attention for no other reason than releasing this disc.  It’s a pleasure “meeting” another fan.

Listening to this disc, you will not at all be confused as to whether it’s Morrissey himself or a cover.  Meloy’s vocals are quite a bit higher-pitched and perhaps even a bit strained compared to Morrissey’s.  The instrumentals on the album consist solely of Meloy’s acoustic guitar.  You won’t find any of the trademark Morrissey sampling of obscure sounds, electric guitar riffs, etc.  Just a man, his guitar, and some songs by Morrissey.

Meloy chose some interesting tracks.  Most are B-sides and less commonly played songs, with the exceptions of “I’m a Poet” and “Everyday is Like Sunday”.  In some ways, this serves him well.  Since the songs aren’t “mainstream” Morrissey pieces, it’s less likely you’ll mind as much that it’s not Morrissey singing them.  One of the more interesting things to me about this album is the fact that Meloy’s vocals are much more distinct and easier to understand than Morrissey’s (or at least they’re not covered by a lot of instrumentals).  This is also a failing of the album, in that when Meloy goofs up a word here or there it becomes incredibly obvious (like when he sings “share some please tea with me” instead of “share some greased tea with me” in “Everyday is Like Sunday”).

While I would give Meloy an “A” for effort, an “A” for coolness in choosing to cover Morrissey, and at least a “B-” for picking the right kind of songs to do acoustically, I’ve got to give him about a “C-” for his vocals.  Having not heard The Decemberists, I am curious now to see how well suited those same vocals are to Meloy’s own music, since they really don’t fit in with Morrisseys.  His performance almost sounds like it’s causing him physical pain at times to reach the notes he tries (but doesn’t quite manage) to reach.

Sadly, other than as a nostalgic tribute to Morrissey, this album just doesn’t quite succeed.  I enjoyed listening to it the first time, if only to hear another artist’s interpretation of Morrissey’s work.  But as a work in itself, I’m just not that impressed.  On a 1-10 scale, with 10 being “excellent”, “Colin Meloy Sings Morrissey” gets about a 5

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Review: Depeche Mode “Playing the Angel” (2005)

November 20th, 2005

Playing the Angel
CD Cover ArtSince the 1980’s, I’ve been pretty fond of the music of Depeche Mode.  Back then, their music was heavily loaded with synthesizer sounds and became pretty mainstream.  This 2005 release, “Playing the Angel” from Depeche Mode is quite a departure from their earlier sound, though the synthesizer element and vocals remain.

Playing time for the album is about 51 minutes.  Individual tracks range in length from about 1:42 to 6:09.  Most are in the typical 3-4 minute “radio length” range.

For a fan of the 1980’s Depeche Mode, today’s group takes some getting used to.  Along with the familiar vocals and synthesizer sound, there’s a new edge to the lyrics and a screaming guitar sound that is a very sharp contrast to the Depeche Mode of 20 years ago.  I think I still like the older sound better, but I can appreciate that it sounds “eighties” enough that the band would have a very hard time attracting newer listeners to their music without this modern “grunge” element that is popular in a lot of today’s alternative and hit music.  If you’re not familiar with the band’s sound today, this album might be too loud and edgy for your tastes. For me, it’s pushing the limit.

Read more…

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Unlocking Pandora’s Music Box

November 20th, 2005

A friend mentioned to me recently that the Pandora music service was a great way to listen to music online and learn if there’s any similar music you might like.  It’s actually a very neat service from the point of view that its creators have analyzed the characteristics (”musical DNA”) of various artists’ music and categorized them.  If you tell them that you’re a big Morrissey fan, they look at the characteristics of Morrissey’s music and identify artists whose music is similar.  Then they play music by those artists, giving you a chance to see if you like any of them.  If you do, more of their music will appear in the stream you receive.  If you don’t, they stop the song and quit playing that artist. 

Read more…

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Review: Bloodhound Gang – “Hefty Fine” Album (2005)

November 19th, 2005

Hefty Fine CD
CoverEarlier in the year I review The Bloodhound Gang’s CD Single “Foxtrot Uniform Charlie Kilo”.  It was definitely a good disc.  Thus it was with some enthusiasm that I fired up this album on Rhapsody and gave it a listen.

This recently-released (September 27, 2005) album is the latest from the group.  It contains the title song of the CD Single I mentioned above as well as a number of other tracks.  Overall it pretty effectively mixes techno sounds with rock and the standard Bloodhound Gang lyrical delivery.

The cover of Hefty Fine, as you can see at the right, pictures a very large and apparently naked man inside a cardboard box, along with a warning to parents that the album contains some explicit lyrics (which it does, and which Bloodhound Gang fans expect).

The album runs a bit under 40 minutes, about 3 of which are silence, and that feels pretty short for a modern release to me.  On the other hand, most of the tracks are quality stuff, so better to have a shorter album with decent music than a longer one full of crap…

The album starts with the track “Balls Out” which starts out sounding a little like a dance track, but picks up.  The lyrics are delivered in a rap-like format for the most part, but the instrumentals feature a strong bass beat and some very jamming guitars.  If you thought the “explicit lyrics” sticker was an exaggeration, this song would convince you otherwise before it’s over.  I think I heard most of George Carlin’s 7 words you can’t say on television in here.  On a 1-10 scale, I’d rate this one somewhere in the neighborhood of a 6, mostly due to the strength of its instrumentals.  The lyrics don’t impress me that much, probably because I’ve grown up enough that it takes more than a stream of 4-letter words in a song for me to get a kick out of it.

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Review: The Body Acoustic by Cyndi Lauper

November 9th, 2005

As I’ve said before on this blog, I’ve been a big fan of Cyndi Lauper
since her early MTV days.  Back then, I enjoyed her brashness and
the silly videos she did.  Over the years that followed, I began to
really appreciate her vocal talents and songwriting ability.  When
I heard that she put out a new album (thanks to the Rhapsody music
service), I had to play it immediately.  It’s an entirely acoustic
version of many of her most popular songs, such as “Money Changes
Everything” and “True Colors”.

(This, BTW,
is one of the nice things about Rhapsody compared to iTunes and
Napster… you can play an entire album from beginning to end without
having to buy it first.  If you like it, then you can buy it and
burn it to CD or whatever.  If you don’t, it was covered in your
$9.99 monthly service fee.)

Read more…

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Review: Alien Ant Farm – ANThology

August 16th, 2005

Released: March 6, 2001
Label: Dreamworks
ASIN:
B00005A7TW

I hadn’t heard of Alien Ant Farm
until I ran across their cover of Michael Jackson’s “Smooth
Criminal”.  When I heard that performance, I realized that
anyone who could actually make me LIKE a Michael Jackson song must
indeed have some talent.  I decided to check them out.  This
album sounded like a good start.

Read more…

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Review: Colin Hay – “Transcendental Highway”

August 3rd, 2005

Released: June 1, 1999
ASIN:
B00004TLWM

Having just reviewed Colin Hay’s “Man at
Work” album from 2002, I decided to give another of his albums,
“Transcendental Highway” a listen.  Unlike “Man at
Work”, this album contains nothing from his “Men at Work”
days of the 80’s.  It is entirely new music of his own.  After
a few spins, here’s what I think of the album…

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Review of Real’s Rhapsody Music Service

July 11th, 2005

For a while now, I’ve been a member of Real’s Rhapsody music
service
.  I’ve got several months worth of experience
with it under my belt, and figured it was time to share that experience
in a review.  Here it is…

Read more…

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