Review: Be The Monkey by Konrath and Eisler

This book is essentially a transcript of a discussion between professional authors J.A. (Joe) Konrath and Barry Eisler.  Konrath has been self-publishing for several years and has made a very good living at it.  I think he would probably argue that he makes more self-publishing digital books than he would be earning through legacy publishers.  Eisler is known for turning down a $500,000 advance because he believed he could earn more money by self-publishing the same book.

The value of the book is in the advice and information it shares.  There is some entertainment value as well, in that the authors both have some amusing and funny things to day.  My biggest complaint with the book is that it felt like Eisler and Konrath complimented each other every few pages through the book.

They make it clear that legacy publishing is facing a number of challenges, most of its own making.  They are trying to prop up the sales of printed books by keeping eBook prices artificially high, and refusing to release the eBook until the paper book is ready to ship.  They’ve been reducing author royalties, taking longer to pay the authors, and pushing more of their costs on to agents (e.g., editing and cover art).  Titles don’t stay on store shelves long, and not all books get equal treatment at the retail level.

By comparison, authors who self-publish through Amazon.com fare much better.  They collect 70% royalties on each sale (instead of royalties in the 15% range from legacy publishers), and receive payment each quarter (versus semi-annually or longer for legacy publishers).  They have control over the content of their books, choose their own cover art, etc.

Another advantage of eBooks is that they remain on the virtual store shelves “forever”.  Brick and mortar bookstores can usually only stock what is selling well right now, and few can afford to keep many older titles on their shelves.  With eBooks and retailers like Amazon, all of an author’s works can remain for sale on the “shelf” indefinitely.  When a reader discovers one of an author’s books, there is a good chance they will purchase others from the author’s backlist of titles.

An argument often made for legacy publishing is that book publishers serve as “gatekeepers” for readers, separating the good books from the bad and ensuring the quality of the books they publish.  The argument says that self-publishing will lead to a flood of crappy, poorly written books, and that all authors will suffer.  Readers, Konrath and Eisler argue, are good gatekeepers.  They can separate the wheat from the chaff, and help others do the same through reviews, lists, recommendations, and word of mouth.  This is the same way people help each other find the “good” videos on YouTube. 

Konrath argues that legacy publishers haven’t been very good at separating successful from unsuccessful books.  One of his titles that the major publishers in New York rejected 12 years earlier went on to become a #15 bestseller on Amazon and earn him $17,500 in just 12 days.  And because it’s still on the virtual shelves there, it’s continuing to earn him money today.

The authors make it clear that although they are confident that digital books will outsell paper books (if they aren’t doing so already), they do not believe that paper books will ever go away.  Apple iPods and MP3s didn’t eliminate the CD. The CD didn’t eliminate cassettes.  Cassettes didn’t eliminate vinyl.  You can still find music being produced today in all those formats (except maybe cassette?), just as you’ll have no problem finding paper books 10 or 20 years from now. 

Konrath and Eisler say that self-publishing of eBooks isn’t about bringing an end to the paper book.  It’s about authors taking advantage of a new technology and distribution system that enables them to make higher royalties and reach readers without going through publishers.  It’s worked out well for them.  Konrath reported making $102,000 in the month of March 2013 alone – most from older legacy-published titles no longer in print.

Be The Monkey is an entertaining read overall, though it is a bit annoying how often Konrath and Eisler compliment one another.  For 99 cents, though, it’s hard to find much fault with it.

Posted in Books | Tagged , , , , | Comments Off

Throwing a Nickel on the Grass

My friend Bob died last year. Bob flew jets with the 456th Fighter Intercept Squadron in the Vietnam war, and talked about having to eject from his plane and survive alone in the jungle for days.  That story stuck with me because it was the only time I’d ever seen him so somber and serious.  (He was normally very friendly and happy.)  After he passed away, I received an email sent to many of his friends.  One of his friends told his widow that in an old fighter pilot tradition, he would toss a nickel on the grass for Bob.

Having never been a pilot, or even in the military, I had not heard of this tradition.  I did a bit of research and found that it refers a song that contains the line “throw a nickel on the grass, save a fighter pilot’s a__”.  It’s an expression of respect and a wish of good luck for a fellow pilot.

Bob had always been great to me, and I honestly don’t think I appreciated him as much as I should have when he was alive.  He was an excellent storyteller.  He took a genuine interest in others, even those he barely knew.  He smiled often, and it was a smile that simultaneously looked mischievous and sweet.  His death hit me a lot harder than I expected it would, and I regretted not having spent more time with him.

I told myself that, at his grave site, I’d toss a nickel on the grass to honor him.  On the morning of the funeral, I forgot to put one in my pocket.  That’s probably just as well, as I think I’d have felt funny doing it in front of all those who attended the funeral.

About a month later, I took a large jar of coins to one of those Coinstar machines to exchange for a gift certificate.  I fed coin after coin into the machine.  Every so often, it spit one back out in a rejection tray that was just out of sight.  When I’d fed all the coins I had in the jar to the machine, I reached down into the “reject bin” and pulled out the ones the machine hadn’t taken.  I re-fed these into the machine.  It accepted some and rejected others.  When I’d gotten it to accept as many as it would, I put the rest in the jar and picked out a gift certificate.  On the way out of the store, I looked down in the jar and realized that all the coins the machine had rejected were nickels!  I took this as a sign.

Remembering the promise I’d made to myself but never kept, I took one of those nickels and drove immediately to the cemetery where Bob was buried.  His grave was alone in a new section of the cemetery.  For a man who always took such a genuine interest in others, seeing him alone like that was painful.  His headstone hadn’t even been delivered yet, so all that marked the site was a rectangular patch of dirt.  Had I not been there for the funeral, I would not have known where to find it.  I hadn’t felt that kind of sadness in years.  Fighting the tears in my eyes, and the lump in my throat, I tossed the nickel into the air above the grass next to his grave and said goodbye. 

Wherever you are, Bob, I hope that nickel provided the salvation the song promised.  You deserve it.

Posted in Life | Comments Off

Nanowrimo 2012: Lessons Learned

I’ve participated in National Novel Writing Month every year now since 2009.  I’ve found that each year I learned something new.  This year was no exception.  This year also taught me that there is a HUGE lesson that I still need to learn if I’m ever going to write something worth publishing.

Past NaNoWriMo events have taught me several things:

  • 2009:  I can sit down and organically write 50,000 words of fiction if I want to.  Before that I didn’t think I could.  Unfortunately, writing this way results in a meandering, boring bit of prose.
  • 2010:  If I brainstorm in advance, and have a decent picture of where I want the story and characters to go, I can hit the 50,000 word goal more easily and produce something with a bit of a story to it.
  • 2011:  Brainstorming down to the individual scene level makes writing a breeze for me, but if I go into too much detail I risk feeling like I’ve already written the story before I start.  That can be very de-motivating. 
  • 2009-2011:  I have an extreme tendency to avoid putting my characters into conflict, which results in fiction that isn’t interesting.  Even my characters tend to side-step conflict that I do include, because it’s out of character for them or they’re too smart to have gotten involved in the first place.

This year’s experience taught me a lot.  I learned that if I don’t have a very clear idea when I start, writer’s block will hit frequently.  Not only that, but my confidence gets very shaken, and this makes it even harder to write.  You can see this in my stats for Nanowrimo 2012:

Nano2012Stats

As the chart shows, I wrote nothing on days 1 and 2.  I only had the vaguest notion of what I wanted the story to be.  On the third, I still had no idea but pushed myself to write something, anything.  This worked well enough until about the 13th, where at 24,000 words I felt out of ideas.  For several days, I wrote absolutely nothing.  After a chat with a co-worker and friend near the 18th, I gained a few ideas and got to around 38,000 words over the next few days.  Finally, I hit what felt like the steel-reinforced brick-and-mortar lead-lined wall of writer’s block.  I pushed myself to write one more scene, hoping it would trigger something.  And it did, but not what I expected.

I’ve heard of writers having written dialogues with their characters during brainstorming sessions. At this point in my story, the characters broke down that imaginary “fourth wall” between us.  They started complaining about the book they were in, about me, and cursing at me for writing them into it.  One of them even shot himself.  (This all happening in a trance-like writing state I experienced.)  The remaining character in the scene turned to me and began interviewing ME.  He asked questions like:

  • “So, we’ve been in my office about a dozen times since this book started.  What does it look like?”
  • “How is the office decorated?”
  • “Why don’t I have any family photos, or any photos, in my office?”
  • “Why did I have this particular desk lamp?”
  • “What does the artwork on the wall mean to me?”
  • “You mentioned there’s a safe on the wall behind that painting.  What do I keep in it, and why”?”

This conversation went on for about 7,000 words.  Then the character who shot himself returned as a clone of his former self, and went through something similar with me.  Suddenly, I found myself at 50,000 words of what was most assuredly fiction.  I had completed the challenge! 

I learned from this experience that I do much better fleshing out a character by having one of these stream of consciousness interviews than I do from any other technique I’ve tried.  I will definitely have to do this again for the next novel I write.  I’ve also learned that conflict is my biggest problem.  If I’m ever going to write a book anyone will enjoy reading, I’ve got to get that issue fixed.  Fortunately, I have some good resources on the bookshelf that should help.

I’ve also learned that writing flows most easily for me when I get into a meditative trance-like state and let things flow organically.  I can see and hear the characters speak, and need only transcribe what they’re saying and doing.  But this trance-like state only works to a certain point.  If I don’t know the characters well, and don’t know what kinds of challenges I’m planning to throw at them, writer’s block will quickly ensue.

Before I make my next attempt to write a novel, I’m going to try the following:

  • Enter that trance-like state and interview my potential characters to learn more about them before I put them in any situations.
  • Using good resources like Story Engineering and Plotting: A Novelist’s Workout Guide, brainstorm at least the major events of the story, getting down to the scene level if I can.
  • Take the time to examine those scenes to see where I can squeeze in additional, relevant conflict for the characters to deal with before they’re written.

I think if I can manage to do those three things, my next NaNoWriMo novel (or any work I write) will be much better and get me much closer to publishable.

Posted in My Writing | Tagged , | Comments Off

Career Advice from a Successful Author

Today I had the privilege to learn from a New York Times bestselling author, Michael A. Stackpole.  His seminar “Digital Publishing and the Independent Author” at Gen Con Indy 2012 was very well-attended.  Some of the take-aways from the seminar:

  • If you’re trying to succeed as a writer, your guiding principle should be “Profitable is Good.”  Actions you take should ideally contribute to your overall profit.  If you spend $7 a month to host a web site, and that web site generates $10 in sales, it’s profitable.
  • Just as important as generating a profit is being sensible about what you do.  You shouldn’t risk your retirement money or rent money, for example, to fund the printing of a book.  For instance, you might use Amazon’s CreateSpace program to print copies on demand, or sell it as an e-Book.
  • Success in the world of digital publishing is a moving target.  Techniques that work today may not work tomorrow, or in two years.
  • When in doubt about what to do, generate new content.  Everything you write serves as a promotional piece for everything you’ve already written.  Readers who buy one book you’ve written and enjoyed it will be more inclined to buy others.
  • Every book or short story you publish should contain a 1-2 page list of all the other items you’ve written (or at least as many as fit on 1-2 pages).  This should appear near the front of your book, so that someone downloading a sample of your book will see this information in the sample.
  • Digital sales count for 20-30% of a typical book’s sales today.
  • Digital self-publishing is a boon to authors.  Traditional publishers paid about 8-10% of a book’s cover price to the author, about 6-9 months after the sale was made.  Digital publishing through organizations like Amazon, Barnes & Noble, and Kobo pay about 70% of the cover price in 60 days after the sale.
  • You shouldn’t adopt the narrow view that you’re “writing a story”.  Think of it as “developing an intellectual property”.  Think about other ways you could distribute the content (audio books, podcasts, related short stories, etc.).  For your particular content, these could be more profitable venues for you.
  • When you choose or create cover artwork, remember that your cover should look good at sizes ranging from postage stamps (as seen in a typical online book listing) all the way to iPad Retina Displays.
  • Be sure to hire a good editor and proofreader to look over your work before publishing it.
  • In your e-Books, be sure to include a revision number, build number, or other value,  This way, when a reader reports that they’ve found typos or errors in your work, you can identify the correct draft to look at.

In addition to the industry and self-publishing information, Stackpole also shared important information about building an online presence:

  • Remember that different potential readers for your work may not all use a given social media tool.  For example, those who are avid Facebook users may not follow Twitter.  Get your message out to a variety of outlets to reach the most people.
  • It’s important to think about your online image.  You want to come across as positive, confident, successful, hard-working, persevering, and friendly to your readers.  If you’re struggling with characterization, for instance, don’t share that.  Do not show yourself “warts and all” to your readers.  This is a recipe for disaster.
  • When critics arise, you should generally not respond to them.  There are too many ways it can go badly for you.  For example, you might write a scathing retort to a mean-spirited comment on your blog, only to find that the commenter was a young child.  Suddenly, you’ve become the author who “beat up” little Janie online.  Not a reputation you want to foster.
  • Everything you post online doesn’t have to be a story or book.  What is important, though, is that it be entertaining or informative to a reader.  A blog post about how you spent the day trying to overcome writer’s block is probably not entertaining.  Telling a story about how your grandmother used to cheer you up when you got stuck by baking you cookies may be entertaining.
  • Think of your blogging, tweeting, etc., as building an audience.  You want your audience to see you as a good person who works hard, overcomes problems, and treats others well.  Share some of who you are with them but not everything.  It’s like developing yourself as a brand.

When it comes to digital publishing, one of Mike’s strongest pieces of advice was that there is no reason whatsoever not to digitally self-publish your work… even if you’re trying to sell it to a publisher.  If you succeed in selling it, you can always take the book off the market.  If you don’t succeed in selling it, you may at least be earning something from it

Posted in Writing Tips | Tagged , , , , | Comments Off

9 Ways To Get More from Your Kindle Fire

  1. Consider Amazon Prime Membership:  The Amazon Prime membership program offers free two-day shipping for all products sold by Amazon.com (but NOT products sold through Amazon by third parties), free instant streaming of many movies and television shows, and access to the Kindle Owner Lending Library which allows you to check out one book free per month from a fairly large list.Prime membership isn’t cheap, costing $79 per year.  However, if you order items regularly from Amazon, the free two-day shipping on purchases (of any dollar amount) can add up quickly.  I often find that once Prime covers my shipping, I can order many items from Amazon more cheaply than I can buy them locally.The selection of videos available for free streaming through Prime may not be quite as good as Netflix, but it’s impressive.  For example, you can stream a wide variety of TV shows, including Arrested Development, 24, Lost, Glee, Grey’s Anatomy, Dora the Explorer, Cheers, Firefly, Doctor Who, Monty Python’s Flying Circus, and more.  Available movies include Mrs. Doubtfire, The Girl with the Dragon Tattoo, Caddyshack, Office Space, and many more.In the Kindle Owners’ Lending Library you’ll find books my Suzanne Collins, Debbie Macomber, Richard Dawkins, Dr. Wayne Dyer, Stephen R. Covey, and many more.  If you are purchasing at least one regular-priced Kindle book ($8 or more) per month, this would probably pay your Prime subscription. (Assuming of course that you can find a book in the library each month that you want to read.)
  2. Check Out Project Gutenberg:  The Project Gutenberg sitetouts itself as the first producer of free ebooks.  It’s certainly been around longer than the original Kindle, so I’m not going to question their claim.The electronic books on the site are all public domain books, which no longer have valid copyrights.  You can download any book on the site at no charge and load it onto your Kindle Fire to read.  The site offers free classic books like Sir Arthur Conan Doyle’s Sherlock Holmes novels, Jane Austen’s Pride and Prejudice, Mark Twain’s The Adventures of Huckleberry Finn, Charles Dickens’ Oliver Twist, Bram Stoker’s Dracula, Herman Melville’s Moby Dick, Agatha Christie’s Secret Adversary, and many more.If you’re not sure how to load these free eBooks on your Kindle Fire, see the next tip.
  3. Download and Use the Calibre eBook Management Software: Calibre is a free application available for Windows, Mac OS X, and Linux.  It can help you manage a library of electronic books, convert electronic books from one format to another, download news from the web and convert it into an eBook on your Kindle Fire, and browse your eBooks on your computer.Using Calibre with the Kindle Fire is easy.  Unlock the Kindle Fire.  Connect a micro USB cable to the computer and the Kindle Fire.  Launch Calibre.  It will automatically identify the Kindle Fire. The eBooks you have already downloaded and imported into Calibre’s library can be loaded onto your Kindle Fire by selecting the book and clicking the “Send to Device” button.  Calibre will load the book onto the Kindle.  Tap the Disconnect button on the Kindle Fire screen, unplug the cable, and the book should appear in your Kindle Fire device library.  Calibre will take care of converting the book to the proper format and putting it where it needs to go on the Kindle.
  4. Keep an Eye on eReaderiQ for free and discounted eBooks.The eReaderiQ site monitors Amazon for free Kindle books and big price drops.  It provides a list of the available free Kindle books and provides direct links for downloading them.  The books you select can be directly loaded onto your Kindle by Amazon.
  5. Monitor the Kindle Daily Deal for Inexpensive eBooks.Amazon offers the Kindle Daily Deal each day.  This is a Kindle book that is priced for one day only at a significant discount, usually reduced to $0.99 or $1.99 instead of a price of $7 or more.  On the day I’m writing this, the Daily Deal is Lawrence Block’s Not Comin’ Home to You novel which is normally $7.69 but available today for $0.99.
  6. Get More Free Books Through HundredZeros.comThe site HundredZeros.com provides a list of free Kindle books as well.
  7. Check Your Local Library for eBook Lending Options:  My local library has access to a wide selection of eBooks, audio books, and other materials I can download to my Kindle Fire free of charge.  Yours may have a similar arrangement.
  8. Try FreeTechBooks.com for legally free books, textbooks, and lecture notes:  The site FreeTechBooks.com offers a large number of free and legally downloadable books, textbooks, and lecture notes on a variety of subjects.  Available eBooks cover computer science, algorithms, data structures, object oriented programming, artificial intelligence, parallel computing, operating systems, and software engineering.
  9. Check out the Free App of the Day in the Kindle App Store:  Each day, Amazon offers an application for the Kindle Fire free of charge.  To get to the App of the Day, turn on and unlock your Kindle Fire (while connected to Wi-Fi).  Tap the Home button if you aren’t already at the home screen.  Tap the “Apps” link at the top of the home screen, then the “Store” link.  At the top of the screen you’ll see an app listed, with its normal price displayed and crossed out, and a button to obtain it free of charge.  If you have an Android phone or tablet, installing the Amazon App Store application on that device will allow you to get the same app for free there as well.
Posted in Books | Tagged , , , , , , | Comments Off

MemoryStick Found in Curacao

I just returned from a cruise to Grand Turk, La Romana (Dominican Republic), Aruba, and Curacao.  While touring the Curacao Liquor factory in Curacao, I happened to notice a Sony MemoryStick Pro Duo (512MB) lying on the ground near a trash can.  It was clear that the memory stick had been there a while.  It was covered with dirt and sand.  I picked it up anyway and brought it back home with me.

There were about 193 pictures on it, which I’ve uploaded to Google+ in the hope that the owner of the memory stick, or someone who knows them, will find the pictures.  That way the pictures might find their way back to the person who took them.

If Picasa is right, they were taken in March 2006 on a Sony DSC-T5 camera, which looks like this:

Sony Cybershot DSCT5 5.1MP Digital Camera with 3x Optical Zoom

It’s difficult to say who actually owned the camera.  This woman appears most often in the photos:

image

This man also appears several times in the photos:

image

This woman also appears in a few of the photos:

image

If you know anyone pictured here, please send them the link to the Google+ album above so that they can retrieve their photos.

Posted in Life | Comments Off

My NaNoWriMo 2011 Experience

For the last three years, I’ve participated in the National Novel Writing Month (NaNoWriMo) challenge run by The Office of Letters and Light.  And for the third time, I’ve managed to win by creating 50,000 words of original fiction between November 1 and November 30.

In 2009, the story I chose to tell was one that I found myself initially excited about.  I sat down in September and October and began working out the characters in the story, the major conflicts the characters faced, some information about their world, and a very vague story line.  When November 1 rolled around, I began writing furiously.  Well before November 30, I had over 50,000 words written.  When I looked back over what I had written, I realized that what I didn’t have was a coherent story.  I had plot ideas I dropped in as I wrote, then later forgot about or abandoned.  I had situations I had set up to happen that, when I got them, didn’t feel right anymore and went in a completely different direction.  It was a mess.

In 2010, I started a different story based on the same character as 2009′s story.  This time, I started out with Dramatica Pro, and did a better job fleshing out the characters, their interactions, the conflicts, etc.  Before I sat down on November 1, I had created in Scrivener for Mac OS X a file containing every major scene I could envision for the story.  Each time I sat down to write, I filled in one of those scenes.  Before I’d completed all of them, I had hit my 50,000 words.  Exhausted from the effort, I stopped before finishing it.  I’m hoping to gather the strength to go back and revise it in the future.

This year, I was having a lot of trouble coming up with a story to tell.  A co-worker suggested creating an unusual situation and tossing some characters based on people I knew into it.  About 600 words into that tale, I realized I had no desire to continue.  I spent another few days trying to decide what I would write instead.  Then, I settled on an idea I’d thought about doing ages ago, based on reincarnation.  That idea had enough traction with me that I could plot out a story line and drop it into Scrivener for Windows.  An interesting thing began to happen, though.  The word count chart below shows it:

My NaNoWriMo Stats for 2011

My NaNoWriMo Stats for 2011

Early in the month, I had trouble motivating myself.  It took a couple of weeks to understand the reason why.  The stories I had done in 2009 and 2010 were stories I started out caring about, and then lost interest in.  Somehow, that lack of interest translated into the ability to crank out a story anyway.  My output those years was a lot more consistent, and I was finished a few days early on each one.

This year’s story was different.  This was a story I cared about.  It’s one I’d wanted to write for years, but didn’t think I had the craft or the skills to do it.  It was a story I might actually want to publish.  That paralyzed me for a couple of weeks until I realized it.  Part of me knew that the 2009 and 2010 stories weren’t good, but that didn’t matter because I didn’t really care that much about them.  This year’s story, though, I wanted to do well.  And that desire to do it right caused me not to want to do it at all.  I began listening to that little voice in the back of my head telling me that I wasn’t ready yet, that my writing wasn’t good enough.  Once I realized that was the problem, it took some time and effort to tell myself “Hey, Hemingway himself always said the first draft of a story is crap.  If he felt that way about his work, it’s OK if I feel that way about mine.  Even if this story turns out to be bad, no one has to read it but me and I can take as long as I need to revise it.”  That helped.  It also helped to recall the words of Michael A. Stackpole, the New York Times bestselling novelist:  “You’re the author, suck it up and write!”  (I actually had that put onto a t-shirt to wear when I write, back in August.)  Once I got past that block, I began to crank out a lot more words.  I managed as many as 6,000-7,000 in a single day in some cases.  I ended up writing over 35,000 words in two weeks.

The professional novelists I’ve had the opportunity to learn from (Aaron Allston, Timothy Zahn, and Michael Stackpole) tell a similar story.  The author plans for a character to do a specific thing in a specific scene.  When they write the story up to that point, sometimes a character will (metaphorically) turn to the author and say “No.  I wouldn’t do that, not in a million years.  Here’s what I’d do instead…”  The author usually ends up listening to the character and writing the scene that way.  Twice during this story, I had that happen.  At one point, the main character has been acting very strangely.  It’s worrying him and his girlfriend.  I had planned for the girlfriend to hear about a trip he was planning to take and say something like “That’s the last straw.  You’ve totally lost it.  I’m leaving you.”  When I got to that point, she turned to the main character and said, “I’m worried about, and I’m going with you to help you settle this thing. You might need me.”  I was surprised.

A bit later in the story, the main character is confronted with a group of people who are doing something pretty nasty.  It runs counter to everything he believes in.  In my original outline, he was going to take the opportunity to kill them, so that it would destroy their evil little organization.  As I was writing that scene, I could see it in my head like a movie.  When we got to the “now I’m going to kill you all” part, the character turns to me and says “Are you nuts? I don’t kill people.  There’s a whole other way out of this mess.”  I watched the new scene unfold in my head and thought, “Wow… you’re right.  Not only is this more in character with you, but it actually sets things up so we can do some really cool stuff later.”  That one little detour made the story become more interesting to me, and the next 20,000 or so words flew by.

After the new year, I plan to pull this story out of mothballs and have a look at it.  I figure it will take several passes over it to turn it into a story I would actually show someone, but that’s my ultimate goal with this one.  That’s something new from last year.

Posted in My Writing | Comments Off

Review: Immediate Fiction by Jerry Cleaver

Jerry Cleaver is the creator of Chicago’s most successful writers’ workshop, the Writers’ Loft, and has been teaching writing for many years.  His Immediate Fiction: A Complete Writing Course is an inexpensive, portable version of what he teaches on his Immediate Fiction web site.  In fact, this book is part of what that $2,000+ course gives you.

Cleaver explains that the need to hear and share stories is one of the deepest human social needs.  We’ll even tell stories that put our safety and freedom at risk (such as when bank robbers can’t resist sharing tales of their exploits which eventually get them arrested).  A “story” in this sense is defined as a narrative that contains conflict, action, and resolution.  Conflict occurs when a character or characters in a story want something, but there is an obstacle in their way.  To get what they want, characters must take action.  The action they take reveals something about them.  In the end, they’ll get what they’re after or fail (which is “resolution”).  In fact, Cleaver says that “if the characters are having a good time, the reader is not.  If it’s going well, it’s going nowhere.”

Fixing a Story That’s Not Working

When you’re looking at a scene or story that just isn’t working, you should ask yourself these questions and make sure you have the answers:

  • Who wants what?
  • What’s the obstacle?
  • What’s the character doing to overcome the obstacle?
  • How does that turn out?

It’s not necessarily one character in a scene who wants something.  If characters have opposing “wants”, it can lead to a more interesting story.  For example, a detective in a mystery may want clues from a witness that would help unravel the case.  The witness may want to tell the detective what he saw, but fears doing so because it would expose an affair he was having.  While these two characters are verbally “battling” in the story, the reader learns more about both of them.  Revealing character, according to Cleaver, is the writer’s primary purpose at all times.

Other Tidbits from Immediate Fiction

Some other interesting points made in the book:

  • Cleaver encourages writers to think about emotion as they write.  Writers are encouraged to “look for all the emotions that the character could possibly be feeling at one time.  If he could be feeling it, he should be feeling it.”
  • Remember that no matter how strangely a character or person is behaving, what they’re doing makes perfect sense to them and would make sense to you if you understood how they see the world.  The key is to understand what would make you act that way and reflect that in the character.
  • Readers experience a story through the characters, and share the experience the character is having.
  • If you have exposition to share with the reader, spread it out across the scene rather than doing a “dreaded info dump”.
  • When you’re trying to decide what a character will do in a situation, ask yourself what is more dramatic and what will reveal more character, and do that.
  • Pretty much every writer’s first draft of a novel is bad.  The successful novelist is the one who sticks with that bad novel and keeps polishing it until it’s good.

Cleaver’s description of the writer’s subconscious is excellent:  “It’s like having a trusted friend who helps you with everything, whom you must depend on to get anything done, but who every so often without warning and for no reason decides to clobber you.”  When you’re on a roll, the subconscious is helping you keep in the flow.  But sometimes it pops up and tells you that your writing is awful, that you should quit, etc.

In addition to advice on writing fiction, Cleaver also covers overcoming writer’s block, the difference between scriptwriting and fiction writing, and marketing your work.

As you read through the book, the constant reminders to refer back to want, action, obstacle, resolution, and emotion feel incredibly redundant.  But these are important concepts Cleaver is trying to pound into the reader’s brain.  It’s written in a very conversational style, and manages to be both informative and fun to read.

In my opinion, this book should be on every fiction writer’s bookshelf.  It’s one I refer to again and again.

Posted in Books | Tagged , | Comments Off

Review of WhiteSmoke 2011

WhiteSmoke 2011 is described on the vendor’s web site as “World-Leading English Writing Software.”  It contains tools for spelling, grammar checking, punctuation, style, and structure.  For reasons that aren’t quite clear, it also contains full-text translation capabilities and a multilingual dictionary.  (It is, after all, “world-leading ENGLISH writing software” isn’t it?)  I first learned about WhiteSmoke while compiling my Writing Resources list for MikeSalsbury.com.  I was pleased to find that the GiveawayOfTheDay.com site recently offered it to visitors for free.  I downloaded and installed it to see what this $99.95+ software package could do for my writing.  While WhiteSmoke is a decent product overall, and delivers on most of the vendor’s promises, I do have some significant concerns about it.

Continue reading

Posted in Writing Software | Tagged , | Comments Off

How to Write an Essay Easily

Writing, in general, is something many people find difficult.  Stringing together words and sentences is something they struggle with.  Writing an essay can seem like a difficult task.  But it doesn’t have to be that way.  In this tutorial, I’ll show you how to write an essay on any subject easily, provide evidence that supports your point of view, and flows smoothly from beginning to end.

Why Write an Essay?

An essay is an attempt to prove a point.  Perhaps you’re arguing against a change in your school’s rules, or trying to convince readers that Fringe is the best television show ever, or simply persuade your parents to let you borrow the car Saturday night.  Regardless of the point you’re making, a well-written essay can help you convince your reader to see things your way.

What Makes a Well-Written Essay?

What does a well-written essay look like?  One of my high school teachers provided this diagram:

essaydiagram

What does this diagram mean?  It means that you begin to write your essay with an introduction which starts from a general subject area and narrows down to a specific point.  (That’s why the first shape is a triangle that comes to a point at the bottom.)  Once you’ve made that point, you provide three or more paragraphs that each contain an observation or fact that supports your point.  When you feel you’ve provided enough evidence to support your point, you re-state the point in your conclusion, briefly summarize your evidence, and end with a general statement about your general subject area.

 

Continue reading

Posted in Writing Tips | Tagged , , , , | Comments Off